wasabi
Cultural layer
Eutrema japonicum (Miq.) Koidz. (Plants of the World Online, Royal Botanic Gardens Kew, accessed 2026-10-04)
The Oxford Companion to Food (Alan Davidson, 1999)
Japanese Cooking: A Simple Art (Shizuo Tsuji, 1980)
Donghyun Jeon, Solji Lee, Sehyun Choi, Andrew H. Paterson and Changsoo Kim, Genome stabilization in the neotetraploid wasabi (Eutrema japonicum) (BMC Plant Biology, 2026)
Japanese Cooking: A Simple Art (Shizuo Tsuji, 1980)
Route
PendingThe routes are written. They are not yet mapped.
This entry's cultural layer already names where it came from and how it moved. What it does not yet carry is that movement as structure: ordered waypoints with real coordinates, and a mechanism on each leg. Until it does, the layer stays an empty slot rather than a drawn line, because a map built from prose would be a guess with a projection under it.
1 of 409 entries carries a mapped route · nutmeg is the prototype
- Waypoints
Ordered places, each with its kind
- Coordinates
Real positions, with the gazetteer they came from
- Segments
From, to, and the mechanism that moved it
- Confidence
Documented, attributed or contested
- Summary
What the route argues, in a sentence
Names · co-equal, marked by how each one travelled
FoodwayPresent as a living food culture.
No names recorded.
Connections
5 bonds · 3 sourcedThe sashimi condiment.
Confirmed in Japanese Cooking: A Simple Art: serving sashimi, page 160, and tuna sushi bowl, page 452.
Tekka and sashimi.
Confirmed in Japanese Cooking: A Simple Art: tuna sushi bowl, page 452, and thin tuna rolls, page 300.
Zaru soba, served with wasabi.
Confirmed in Japanese Cooking: A Simple Art: noodles in a basket, pages 312 to 313.
Bonds are drawn from culinary literature and origin-tradition references, tiered by source. Origin means a reference from the place. Witness means the pairing is the place's own and the reference documenting it was written from outside.
The score is cultural weight: how central a pairing is in the tradition that documents it. It is not a prediction of how two materials behave in a formulation and not a measure of chemical affinity. The scale is ordinal, because centrality is a judgement rather than a measurement: 1.0 where the pair is the dish, 0.9 a fixed named form, 0.8 a canonical dish, 0.7 recurrent across many dishes, 0.6 common, 0.5 attested, 0.4 marginal or compound-led.
Each score is set against a named dish and carries that dish in its note. Where a score has not been examined it says so, because an inherited figure and a researched one should not look alike.
The dish is named by a reader who knows the cuisine and cites a source appropriate to it. It has not yet been confirmed inside that source page by page, so a note records what supports a score rather than what has been checked in the book.
Studio Culinar-E, "wasabi", Pantry Archive, Studio Monk-E, 2026. https://studioculinar-e.com/archive/wasabi
/archive/wasabi
Bonds are tiered by source, origin-tradition references first.