millet
Cultural layer
Dorian Q. Fuller, Contrasting Patterns in Crop Domestication and Domestication Rates: Recent Archaeobotanical Insights from the Old World (Annals of Botany, vol. 100 no. 5, 2007)
Concetta Burgarella and colleagues, A western Sahara centre of domestication inferred from pearl millet genomes (Nature Ecology and Evolution 2, 2018)
Indian Food: A Historical Companion (K. T. Achaya, 1994)
Senegal: Modern Senegalese Recipes (Pierre Thiam, 2015)
Senegal: Modern Senegalese Recipes (Pierre Thiam, 2015)
Route
PendingThe routes are written. They are not yet mapped.
This entry's cultural layer already names where it came from and how it moved. What it does not yet carry is that movement as structure: ordered waypoints with real coordinates, and a mechanism on each leg. Until it does, the layer stays an empty slot rather than a drawn line, because a map built from prose would be a guess with a projection under it.
1 of 409 entries carries a mapped route · nutmeg is the prototype
- Waypoints
Ordered places, each with its kind
- Coordinates
Real positions, with the gazetteer they came from
- Segments
From, to, and the mechanism that moved it
- Confidence
Documented, attributed or contested
- Summary
What the route argues, in a sentence
Names · co-equal, marked by how each one travelled
FoodwayPresent as a living food culture.
No names recorded.
Connections
7 bonds · 7 sourcedMillet couscous under a sauce.
Ngalakh: millet couscous with baobab fruit and peanut butter, made for Good Friday.
Searched in Senegal, 2015, pages 52 and 290, ngalakh, millet couscous with baobab fruit and peanut butter, made by Senegalese Christians on Good Friday and shared with Muslim neighbours; page 78, baobab leaves cooked into millet. Fura is not in the book.
Score unexamined
Score unexamined
Occasional in millet porridge.
Score unexamined
Seasoned millet.
Score unexamined
Dressed millet.
Score unexamined
Savoury millet preparations.
Bonds are drawn from culinary literature and origin-tradition references, tiered by source. Origin means a reference from the place. Witness means the pairing is the place's own and the reference documenting it was written from outside.
The score is cultural weight: how central a pairing is in the tradition that documents it. It is not a prediction of how two materials behave in a formulation and not a measure of chemical affinity. The scale is ordinal, because centrality is a judgement rather than a measurement: 1.0 where the pair is the dish, 0.9 a fixed named form, 0.8 a canonical dish, 0.7 recurrent across many dishes, 0.6 common, 0.5 attested, 0.4 marginal or compound-led.
Each score is set against a named dish and carries that dish in its note. Where a score has not been examined it says so, because an inherited figure and a researched one should not look alike.
The dish is named by a reader who knows the cuisine and cites a source appropriate to it. It has not yet been confirmed inside that source page by page, so a note records what supports a score rather than what has been checked in the book.
Studio Culinar-E, "millet", Pantry Archive, Studio Monk-E, 2026. https://studioculinar-e.com/archive/millet
/archive/millet
Bonds are tiered by source, origin-tradition references first.